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Self Portrait at 36, Comedown, C. 1975 Ink on torn reassembled . Birds and heroes people Brett Whiteley's art. He is represented in the collections of all the large Australian galleries, and was twice winner of the Archibald Prize. 28-29, Sydney, Mar 2012, 28, 29 (illus.). She's this decade's Miss Popularity among major cities, the prom queen of the southern hemisphere. Free delivery and returns on eBay Plus items for Plus members. He died following an overdose of heroin in a motel in Thirroul, NSW in the winter of 1992. Gift of Patrick Corrigan AM 2004. Brett Whiteley AO, artist, displayed a brilliant talent for drawing as a Sydney private schoolboy. Brett Whiteley - portrait 1 1975 Greg Weight. BRETT WHITELEY (1939 - 1992) SELF PORTRAIT, 1977 oil and hair on canvas 30.5 x 25.5 cm signed lower. Before this, his previous highest-selling work was The pond at Bundanon for A$649,500. Critique of Whiteley. (Bibliographic reference no. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified. card no. The balcony 2 Brett Whiteley 1975 116.1981. It has been regarded as a self-portrait, a giant outpouring of energy and ideas brought forth over a long period of time. Create a self-portrait that reflects your emotional state. His self-portrait was a bold, almost grotesque confessional. This article analyses art prizes and their judges, and this year's entries in the Archibald, Sulman, and Wynn competition. Jill Sykes, Look, 'Members events', pg. This article appeared in 'The Good Weekend' pages in a section sub-titled 'The Arts'. Brett Whiteley. Greg Weight on working with Jiawei Shen, and starting out as a photographer. TheCompanion is available to buy online and in the Portrait Gallery Store. Photograph of Brett Whiteley also appears with this article. Whiteley died of a methadone overdose in Thirroul on the New South Wales south coast in 1992. The work is an anthology of Whiteley motifs, including the view of Sydney Harbour from a window, a reclining nude, an armchair, and a piece of blue-and-white china. As the camera pans through the studio and over the works, Whiteley describes the challenges of being gifted and of overcoming his addictive tendencies. Sandra Jane, Art is making, creating and appreciating 2, Milton, 1999, 121 (colour illus. While in London, Whiteley painted works in several different series: bathing, the zoo and the Christies. In 1999, Brett's mother Beryl Whiteley (19172010) founded the Brett Whiteley Travelling Art Scholarship in memory of her son. Clem Lloyd and Peter Sekuless, Australia's national collections, Sydney, 1980, 261 (colour illus.). [2], In explaining his use of collage, which often saw him adding photographs or objects to a canvas, Whiteley said he did it: when I feel the need to describe in the focus of the painting something that requires infinite realism, a realism so absolute that no amount of painstaking brush strokes can accurately describe it. [3]. Wendy Whiteley, former wife of Brett Whiteley, talks about the work 'Self-portrait in the studio' (1976). It was, at the very least, a way of exposing his own dark obsessions to the widest possible audience and the full glare of publicity. Brett Whiteley, Self-Portrait in the Studio (1976) In 1976, Brett won the Archibald Prize for his painting Self Portrait in the Studio. Wendy Owen., Age, 'Archibald and Sulman prizes scooped by Sydney artist; Whiteley wins the big double', Melbourne, 22 Jan 1977, 2 (illus.). The exhibition includes 20 Whiteley works and traces the artist's life and career from his earliest painting Self Portrait at Sixteen, 1955 to just a few months before his death with Port Douglas, Far North Queensland 1992. Michael Bowden, Art-isan: studio arts for VCE units 1-4, 'Analysis of an unseen artwork', pg. See opening hours Their only child, daughter Arkie Whiteley, was born in London in 1964. 9, Sydney, 07 Sep 2013, 9. Sandra McGrath, Brett Whiteley, Detail of 'Self Portrait in the Studio' on cover page of book, Pymble, 1992, cover (colour illus.). [citation needed], In 1967 Whiteley won a Harkness Fellowship Scholarship to study and work in New York. The glamorous Whiteleys marriage was fiery, and their inevitable separation added to the artists problems with substances and self-doubt. 1 whit.jpg. 44-45, Sydney, Jun 2012, 45 (colour illus.). This article appears in the 'Focus' section of the newspaper. Lou Klepac, Affinities: Brett Whiteley & Lloyd Rees, 'Introduction', pg. Jennifer Phipps, Members Magazine of the National Gallery Society of Victoria, 'Brett Whiteley Self Portrait and Other Intimacies', pg. 45. Richard Cotter, Change and continuity; 20th Century Australian History, South Yarra, 1998, 177 (colour illus.). . He . Donated through. Nevertheless, within this perceived enlightened sense of judging, the Trustees reverted to traditional form with the award going to William Pidgeon in 1961 for Rabbi Dr I. Porush. Brett Whiteley - Far North Queensland (1992) oil, earth, charcoal, collage on plywood. Barry Pearce et al., Brett Whiteley education pack, 'Self-Portraits and Other Intimacies', Sydney, 1995, (illus.). 25 May - Opening of exhibition of color photography by William Eggleston at the Museum of Modern Art, New York. Self portrait in the studio Brett Whiteley 1976 1.1977 Winner - Archibald Prize 1976 On display . Choose one of Whiteleys self-portraits. Sandra McGrath., The Australian, 'The making of an authentic genius', Sydney, 24 Jan 1977, 8 (illus.). He also painted the darling harbour and the opera because he lived in sydney. In London he excited art dealers and fell under the influence of painters such as Francis Bacon, of whom he later made a series of portraits. Anne Ryan, Look, 'Drawn to the line', Sydney, Jan 2019-Feb 2019, 34 (colour illus.). ", Whiteley became increasingly dependent on alcohol and also became addicted to heroin. How did his studio inspire Brett Whiteleys art-making? This article refers to Whiteley winning both the Archibald and Sulman prizes in 1977. In his self-portraits, the artist reveals layers of himself and defines portraiture as something beyond the physical self to include his environment, personal and artistic influences, whether affirming or self destructive. In the former, Whiteleys face appears in a hand-held mirror, as one small feature on a large, luxuriant ground of deep blue. Another in the series was a more abstracted Woman in the bath II, which owed a debt to his yellow and red abstract paintings of the early sixties. He painted Patrick White while the author was working on his autobiography, Flaws in the Glass in 197980; thus two great portraits of White, painted and written, developed together. Inspired principally by Matisse, but also by his house at Lavender Bay on Sydney Harbour's north shore, he created a series of large scale paintings of expansive interiors and views evoking the marine beauty of the harbour. David Freeman will direct and Tahu Matheson will conduct. He lived in the northern suburb of Longueville and attended Chatswood Primary School, then Scots College in Bathurst. 17, Melbourne, Feb 2001, 17 (colour illus.). 9. Were not looking at a would-be genius or a sinful penitent. Barry Pearce, Australian painters of the twentieth century, 'Brett Whiteley', pg. The Version table provides details related to the release that this issue/RFE will be addressed. Martin Terry, Masterpieces of Australian Painting, 'Brett Whiteley b.Sydney 1939', pg. Look at this beautiful house and wonderful pictures and things. As he said: "To draw animals, one has to work at white heat because they move so much, and partly because it is sometimes painful to feel what one guesses the animal 'feels' from inside." Anna Waldmann, Art and Australia (Vol. 2023 Guardian News & Media Limited or its affiliated companies. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). 174-195, Oxford, 2001, 190 (colour illus.). The Brett Whiteley Studio (Editor), Big Blue - The painted harbour, Sydney, 1997, cover (colour illus.). An amazing man. Signed and dated l.r., black ink "brett whiteley/ 1975-76/ ". Resolved: Release in which this issue/RFE has been resolved. . The Brett Whiteley Studio, Brett Whiteley: Interiors, Sydney, 2001. Works of art from the collection are reproduced as per the, Let me know when this portraits on display. The 44-year-old Hele's winning entry was a portrait of Mr Robert Campbell, South Australian National Art Gallery director.'. ), 231. plate no. See all 85 works. A detail of Whiteley's self portrait is accompanied with a photograph of the artist. 'Strung between triumph, tragedy' an obituary by Barry Pearce. His work became highly desired by collectors, especially his large-scale, brilliantly-coloured interiors and landscapes strongly influenced by French artist Henri Matisse such as Big orange sunset 1974 and Self portrait in the studio 1976. He worked across painting, sculpture and the graphic arts, and is best known for his sensual and lyrical paintings of interiors, nudes and harbour scenes. Jonathan Cooper (Editor), The Art Gallery of New South Wales Bulletin, 'Big Blue', pg. (This same article appears in 'The Daily Telegraph Mirror', 20 June, 1992. morning, Available for everyone, funded by readers. Growing up in Longueville, a suburb of Sydney, Whiteley was educated at Scots School, Bathurst[2] and Scots College, Bellevue Hill. 8 in education pack. Consider the gaze of Whiteley in each of these works. Brett Whiteley was never shy when it came to measuring himself against the masters. 61-85, Sydney, 2005, 76 (colour illus. His farewell to abstraction, Summer at Sigean, was a record of his honeymoon in France. 30.5 x 25.5 cm. and their inevitable separation added to the artist's problems with substances and self-doubt. Sue Williams., Saturday Mercury, 'Whiteley gone but his great spirit lingers on', Hobart, 20 Jun 1992, 17, 20. Brett Whiteley painting - alchemy 1972-1973 Art Print. 6-33, Brisbane, 2004, 22 (colour illus. List of works. Jill Sykes (Editor), Look, 'What's on elsewhere', pg. In London he excited art dealers and fell under the influence of painters such as Francis Bacon. Brett Whiteley AO (1939 - 1992) Born 7 April 1939 Sydney, New South Wales Died 15 June 1992 (aged 53) Thirroul, New South Wales Education Julian Ashton Art School Known for Visual arts Movement Avant-garde Awards: Biennale de Paris - International Prize for Young Artists 1962 Archibald Prize 1976 Self Portrait in the Studio, 1978 BRETT WHITELEY (1939 - 1992) GARDEN, 1975 brush and sepia ink on paper 84.5 x 75.0 cm stamped lower. In his younger years he was sent to boarding school in Bathurst and also Scots Collage in Sydney. 22.). He started drawing at a very early age. David Christian, 'At Lintas advertising agency, Sydney', c1956. Related research topic ideas. In writing about Brett Whiteley, it is tempting to simply present the facts and let the reader draw his/her own conclusions, such are the contradictions. Walsh also appears in the . gelatin silver photograph on paper (sheet: 50.4 cm x 40.4 cm, image: 45.2 cm x 30.8 cm) Brett Whiteley AO (1939-1992), artist, displayed a brilliant talent for drawing as a Sydney schoolboy. Bruce James, Art Gallery of New South Wales handbook, 'Australian Collection: Painting and Sculpture', pg. He won the Art Gallery of NSW Archibald, Wynne and Sulman prizes several times, and his artistic career was bolstered by his celebrity status in Australia and overseas. How does he push the definition of portraiture? 2023 John McDonald. (age36in1975). Philip McIntosh. Daniel Thomas., The Age, 'Desperate Beauty', Melbourne, 20 Jul 1996, 7 (illus.). Whiteley looks out at us directly, with none of the emotional address of his early Van Gogh style portrait, none of the mock decadence of 1976, or the drug-fuelled angst of 1978. He began the 1970s with gentle pictures of birds, moving on to massive portraits of the poets Verlaine and Rimbaud before taking two years to paint the gigantic Alchemy 197273. Whiteley's intention was to portray the violence of the events, but not to go too far in showing something which people would not want to see. ), 135 (colour illus.). Richard Wherrett, Sydney Theatre Company Limited Ninth Annual Report 1987, Sydney, 1987, front cover (colour illus.). from The New York Times: Portraiture shouldnt just be paint and canvas. Brett Whiteley 1975 'The balcony 2' is one of his most evocative harbour paintings, encapsulating key elements of Whiteley's art - fluent draughtsmanship, an erotically charged curvilinear line and an ability to invest minimal brushstrokes with multiple associations. A photograph of a youthful Brett Whiteley also accompanies this article. Barry Pearce and Alec George, 9 Shades of Whiteley, '5: Portraits', pg. I am trying to become a great man. [5]. While he was a teenager, he painted on weekends in the Central West of New South Wales and Canberra with such works as The soup kitchen (1958). Having attained the height of success, he realised that from this pinnacle the only way is down. ), 162 (colour illus.). It took a great deal of his time and effort, taking about a year of full-time work. [23], The book was longlisted for a Walkley Book Award and Australian Book Industry Award, and shortlisted for the Australian Book Design Awards and the Mark and Evette Moran Nib Literary Award. Ursula Prunster, Aspects of Australian art, Sydney, 2000, (colour illus.). He did paintings of the areas around Bathurst, Oberon and Marulan, all in New South Wales. Weight photographed Whiteley throughout the 1970s. Shop unique custom made Canvas Prints, Framed Prints, Posters, Tapestries, and more. A day at Bondi Brett Whiteley . Archibald Retrosepctive Exhibition, Art Gallery of New South Wales, Sydney, 1985-1985. A handful of his own curly, reddish hair glued to the picture signifies a desire to explore a higher kind of realism, as if mere paint on canvas were insufficient to the task. ), 16 (colour illus.). Discusses how alcohol opens up circus of the imagination which Whiteley feared he would not be able to reach otherwise. We acknowledge the Gadigal of the Eora Nation, the traditional custodians of the Country on which the Art Gallery of NSW stands. Brett Whiteley is one of Australias most celebrated artists. 218-227, New York, Sep 1998-Oct 1998, 222-223 (colour illus.). While the Archibald Prize never failed to stimulate debate, controversy yet again loomed when, in 1976, Brett Whiteley won with his painting Self Portrait in the . Ewen McDonald, AGNSW Collections, 'From Colonialism to late Modernism', pg. Review of 'WARNING: Smoking has been linked to some of the most powerful images of the twentieth century' exhibition, held at Mornington Peninsula Regional Gallery. There are portraits of Vincent van Gogh, Paul Gauguin, Charles . See opening hours Brett Whitely (7 April 1939 - 15 June 1992) Look closely at the work and find the signs and symbols Whiteley uses to represent himself as an artist. Yet he would survive for another 14 years, fatally succumbing to his drug addiction in a motel room at Thirroul on the south coast of New South Wales in 1992. Ink on Torn Reassembled Paper 65x60cm 13: Brett Whiteley (1939-1992) Est: AUD60,000 - AUD80,000. Whitely started working as a artist in the studio of the Lintas Advertising Agency in Sydney and participated in John Santry's . He painted abstracted images of bush scenes such as The bush (1966)[13] and also images which resulted from experimentation with various drugs, such as alcohol in the humorous Self portrait after three bottles of wine (1971).[14]. He had many shows in his career, and lived and painted extensively in Italy, England, Fiji and the United States. Brett Whiteley Studio Collection. Close up of painting focused on blue harbour and white boats which merges with actual harbour footage with shimmering water. [28], This article is about the artist. Brett said he had wanted it to scare himself straight. [1]. 07 Apr 1939 It was the cage of his interior, his addiction, the window or a glimpse of possible escape into paradise: the escape from one's psyche. I think he has done this to make the place seem more realistic because if he had . 26, Sydney, Jun 2014, 26 (colour illus.). Elwyn Lynn, The Independent Monthly, 'Luscious Ornaments', pg. This is the same article that appeared in `The Saturday Mercury', titled `Whiteley gone but his great spirit lingers on', 20 June, 1992. Typically, the viewer is led deeper into the picture by means of minute detail. The painting is set in Brett Whiteley's studio with his furniture and includes his other artworks around him. . Place yourself in your favourite room. His expression is completely blank, as if he wanted only to pause and take stock of himself. Wave Brett Whiteley 115.1997. Purchased by the New South Wales State Government 1994, transferred to the Gallery 1998 Wendy Whiteley, In front of 'Art, life and the other thing', 1978, Brett Whiteley, 'Self portrait after three bottles of wine', 1971, Art Gallery of New South Wales. (age29in1975), Brett Whiteley [20] On 7 May 2007, Opera House, (which took Whiteley a decade to paint, and which he exchanged with Qantas for a period of free air travel) sold for A$2.8million, in Sydney.